Wednesday, 8 October 2014

St. Denys Pancakes

I made these pancakes the other day for the feast of St. Denys patron saint of Manchester Cathedral. Here is what you will need (accompanied by pictures):

Gram flour
Salt
Chilli powder
Turmeric powder
Mango powder (amchur)
Crushed black pepper
Fennel seeds
Cumin powder
Chart masala (optional)
Finely julianed carrots
Finely sliced onions
A few mint leaves (I usually use coriander but since I have none today I used mint)
Yoghurt - I use the low fat type as it blends easily, but Greek yoghurt would work just as well

Blend all the ingredients together until the batter is of pouring consistency. Lightly grease a non-stick frying pan and pour in the batter. I use three tablespoons for each pancake but you could vary this to your taste. Fry lightly on both sides until cooked golden brown, flipping occasionally.

Cooking tip - the onions are crucial but you can vary the spices and vegetables according to your taste. I have some cabbage Kimchi in the fridge which I will use next time I make these pancakes.













I had a few onions leftover so I roasted them on the pan and put some chilli flakes on them  for garnishing the pancakes



And here is what the final product looks like. I left it on that contraption to cool,  however these are best served straight from the pan with a drizzle of lemon or lime juice, a chutney of your choice and or yogurt.
Here is a link to the video click here







St Denys was a 3rd century martyr and bishop of Paris. Publicly beheaded he is said to have picked up his head and walked six miles with it in his hands 

Monday, 6 October 2014

Autumn is here






















For the love of poor black people

I got chatting with a young Englishman yesterday who as most English people go was polite and well mannered and I wont hold that against him. We got chatting about racism or rather about the silly things people say to me. At the end of the conversation he said to me  'I believe the poor in India are very happy which is unlike this country.'  This is someone who comes from an affluent family and claims he has material comforts which don't make you happy. Fair enough material things don't make you happy but does not having hot water and good make you happy?

I personally think this makes a mockery of the poor and is a lazy stereotype. It is also a complacent position. To be fair to him I have heard Indians say the same. If poverty is so good then why don't we all give everything up and live in poverty to be exploited? Not knowing when where and what you will eat again makes you happy now, or being sold into slavery?  

This is intellectual laziness but also insensitive white liberal racism. This is by far the most difficult prejudice to fight because the person who holds such views generally isn't a misanthrope but just misguided. There is a sense of goodness in this person and I wouldn't want that turning into cynicism, however that they are insensitive to the plight of people i would like them to change that. 

If white poor people are ungrateful to the affluent classes in England they are the same in India the difference is poor 3rd world citizens are privileged for their exoticism, thereby alienating white working class people. Is it any surprise the EDL is anti non white people? White working class people are demonised in the UK the same can't be said for their non white counterparts. A case in point is an internet meme about how immigrants built everything in Britain which is why we must be nice to them. Before us exotic types came in poor white people were exploited but have now fallen out of fashion. If liberals really cared they would change things for the poor rather than love them with cloying sentimentality. 








Sunday, 5 October 2014

Vegetarian noodle soup.




I love making this dish because it is simple and can be adapted to ones taste.
So this is the recipe in order in which I cook everything.

Add finely chopped ginger and garlic to a little oil in a cauldron let it cook for 30 seconds or so.
Add soy sauce and a little boiling water to make this.

I let this cook in water till the raw taste of ginger and garlic is gone about 10 or 15 minutes.
Add chopped mushrooms to the pot with a few carrots and broccoli this gives the broth some flavour. I had marinated tofu 2 days in advance so I added some of it to the cauldron at this stage.
I let this cook for 15 minutes.

At this point I add the soup base. You can get a variety of sauces or make your own. I prefer buying ready-made sauces. For the broth in the picture I used Lee Kum Kee’s chilli garlic sauce, it is a bit salty so add a little at first. I will try this with Korean gochijang (there will be pictures of that soon). Black bean and garlic sauce by the same company is good too but feel free to experiment.  These are the vegetables I used as I had them at hand but feel free to use vegetables you like. Sliced mushrooms, sliced carrots (I used frozen ones). Brocolli florets cut to a bit size (again I used frozen ones), spring onion stems and bean sprouts. The rule is add vegetables that need more time first. Meanwhile fry your remaining tofu or if you prefer boil it all in the broth. At this stage I add my noodles and let everything simmer. If you are using noodles that take a long time to cook add them in earlier. I use rice sticks which cook in 3-5 minutes.  

After everything is cooked I add a little miso paste (I have found a nice vegetarian paste which is organic too). Miso looks so pretty it is hard to resist the way it looks in a soup. Miso should never be added to boiling water but to hot water. If you want a thick soup add a spoon of flour. And your noodle soup is ready to serve. Since I was cooking for a  large group of people I put some finely chopped carrots, spring onion stems, toasted sesame and coriander out in separate bowls but feel free to add this to your dish before serving.

Unfortunately we didn’t get pictures of the finished soup L. I will post pictures of it another time.
Cooking tip- Cover the noodle soup with a lid and it will cook faster and use less energy.


toasted sesame

chopped ginger and garlic

chopped mushrooms


this is what the broth looks like when its boiling








i made some spring rolls too. The fried tofu is on the right.



Wednesday, 1 October 2014

End of summer

Summer has ended autumn has begun what will this new season bring? The days are getting shorter, there is a coolness in the air that suddenly creeps up. I just hope it isn't too this winter. 

Tuesday, 30 September 2014

Chemistry and the mundane



I heard someone remark how they thought science could contribute to how food was made. I am sure we have heard these wide eyed comments before and not just on this subject. That someone would suggest such a thing amuses me. Food is the basis of chemistry, biochemistry and the application of physics. While it is mundane it is most vital, it is probably how we learnt some of most vital aspects of dealing with chemicals. A friend of mine has always eaten cake with fascination and why not, cake she claims is the invention of a very clever chemist. Cooking is magical if you think about it, combing flavours in different way with different temperatures is very scientific, and yet we take this fro granted.

I spent this weekend making kimchi (Korean pickled cabbage). It was fascinating to think how someone came  up with the idea in the first place. The careful process of draining excess water out of cabbage, adding various spices and vegetables to the mixture all to have vegetables during a cold winter. Cheese is just as fascinating. At what moment in time did we decide to drink another animals milk and when did we realise we could cook this milk to make something completely different out of it? The first cooks probably felt a sense of adventure to create different tastes and textures, preserving food, making it more palatable, heating or cooling it. Even now when you see a good cook you get the feeling that they know something innate about combing ingredients and dishing out something tasty.

It also brings me to my next question- have we lost our most basic understanding of how things are created? As a child I was fascinated by basic experiments, it made my world come alive, boiling water bubbling away on a hot stove, a magnifying glass enlarging small objects. The very basic of these activities are some of the most profound. We live in a world where we are surrounded by very complex technology however the most basic of these is what started it all. Everything around us is technology from the humble door latch to a touch screen computer.  It is not the complex that informs the basic but the other way around. 

Monday, 29 September 2014

How do you measure feminism in films?



Is there a test to measure feminism in films? – Yes there is hooray! Ok so I have jumped the gun. Here’s the back story before I give you my take on the issue.

The Bechdel test was introduced by Alison Bechdel ( an American graphic novelist) in her comic strip 'Dykes to Watch Out For' (1985). In a strip titled ‘ The Rule’ two female characters  are talking to each one of them says to the other that she only watches a movie if it satisfies the three following requirements:
  1.  It has to have at least two women in it,
  2. Who talk to each other,
  3. About something besides a man.

And here is the strip.
Image taken from http://dykestowatchoutfor.com/the-rule. There is more info about the strip on the website.


 Bechdel has been ambivalent of the test. It was never meant to be making a strong feminist statement, it was a joke. 

Ok so it doesn’t really measure feminist content or indicates if the film is feminist friendly, it does however point out that a lot of films don’t meet some of these criteria. Feminism and its portrayal is a lot more complex. The test only indicates if women are represented on screen in a certain way. Spin offs of the Bechdel test have looked at LGBT issues etc…. You get the idea. It is interesting how most popular films are not representative of minority groups …. although ones does not expect such films to be representative. A friend recently wrote about how Expendables 3 did not pass the Bechdel test, did anyone expect it would? To be self-critical I would ask why not? Why shouldn’t popular entertainment reflect my reality or a fictionalised version of it on screen? The Bechdel test does not allude to being a feminist test to point the way out, but it does point out how women don’t have any role to play in films except for filling a gap in the narrative. This does not indicate if the film is one that deserves critical attention. Popular cinema has no such responsibility, it is meant to play on our prejudices.

Feminism and other isms are complex issues that are bigger than mere representation. Popular cinema might incorporate such issues in but only throws them in the main narrative as subplots. Or when popular cinema pretends to have taken criticism of itself aboard it subverts criticism to create the same material but sells it as ethically engaging. Chick flicks are meant to be female friendly films but they end up presenting a very narrow vision of what women can be. Closer home Bollywood films claim to be empowering women by including 'item numbers' and bikini scenes. Emotive and positive terms such as empowering are misleading, but they seem to work for the filmmakers. I would like to go into detail about why I resist an emotive culture but that is for later.  Representation is important os is the quality of the narrative in which these  are involved. 

Sunday, 28 September 2014

Guacamole


A few weeks ago a friend asked me for vegetarian/vegan recipes that were easy to make this is one of the simplest. 2 ripe (soft to touch) avocados are mashed with the juice and zest of one lime. I add salt and chilli flakes to taste and sometimes for colour. The final picture isn't the best  as my hand shook as I took the pic. Watch this space for more vegetarian and vegan recipes. 




Saturday, 20 September 2014

Summer Garden

Our neighbours grew some nasturtiums this summer and they were lovely thought of putting them on a card. The brown flecks in the middle are sprinkles of gold dust. This is my interpretation of Uncle Stan's garden. 

Friday, 19 September 2014

Exotic and exploited the role of women in Indian films




I have never liked popular cinema in India, it gets on my nerves to be quite honest. I am not fond of all art cinema either. Both genres have a purpose for their existence.

Both genres have one thing in common they are eroticised. Here in the UK most people I talk to speak of the popular Bollywood films they have seen – man and woman dancing around a tree. A few people might have watched some of the nicer films – I can have intellectual conversations with those people.
Popular Indian cinema isn’t made to be meaningful, it plays on easy stereotypes to get its point across, and in short it is misrepresentative and offensive to many marginalised groups. However art cinema is expected to be more realistic and in touch with common people and their everyday struggles. I was reading this article by Madhu Kishwar on ‘Bandit Queen’. Kishwar for those of you who don’t know is an Indian feminist who has a popular magazine called Manushi. Bandit Queen is a film that is supposedly based on the life of Phoolan Devi. The film ran into controversy when it was released in 1994. I was in school at that time, I had heard about this ‘adult film in hushed tones. The film is graphic in its depiction of violence against women. In some quarters it was the film men would watch for titillation, this is nothing new men watch films like this India often. Cinema halls cater to the sexual needs of men who often learn about sexuality through films, the nature of the film does not matter as long as it is portraying women sexually.  

There was talk of the film being criticised by Phoolan herself which I remembered were dismissed by people on the grounds that she was being greedy and asking for the director for more money. However this article by Kishwar highlights another aspect of the film – it is a distorted and even eroticised narrative of violence against women in rural India. Being an art film it was to have a limited audience in India but a wider one around the world. Kishwar argues that liberties have been taken in narrating this story on screen, narratives which weren’t part of the book by Mala Sen on the subject of Phoolan’s life. It is understandable why this film was upsetting for Phoolan and why it could have sparked violence across the region.

My issue with the film and Indian films in general is how rape is commonly depicted and how it is a deliberate addition by the filmmakers to either entertain (in popular cinema) or to empathise (in art cinema). Both these reasons are insensitive to this issue or rape and sexual violence against women, which is easily dismissed in India. Phoolan was a poor illiterate woman, her story made the director lots of money. There are two issues here, Phoolan does not mention the rape in her interviews or in the book written by Mala Sen. The other issue is legal – one is not allowed to disclose the identity of a rape victim in India. However the spectacle of a naked woman exploited on screen is emotive and plays on our sense of right and wrong. It made audiences feel bad about the condition of women in rural India, however it played on a popular sentiment – India as a backward and horrible place for women. None of those accusations are false, however that is the only narrative one sees of India. The story presented in the film is not completely false it is a reality in India- except it is not Phoolan’s reality. It is made to sell a very disturbing idea of female sexuality that we have come to normalise.

Can Indian cinema ever portray women without offending them? Can any other cinema do that? bell hooks would argue otherwise as would Laura Mulvey. Sexualisation of women on screen is so common it is hard to realise it is there. Sexualised images of women are so common that they rarely get criticised. Indian women’s bodies are exploited on screen and off, this hardly gets anyone’s attention the exploitation that is. hooks contends that the makers of popular entertainment are not naïve but are guided by profit and popularity when constructing this misogyny. These stories are sold as compelling truths about Indian women. Again these cinematic liberties to portray a certain reality are carefully constructed image of women. both hooks and Kishwar point out how these stories gain credibility through depictions of  violence against women.

I remember while talking about 12 years a slave a friend pointed out how the violence presented in the film was made for titillation rather than raise the issue of slavery. The argument he presented was that it was easy to portray slavery from the past but modern day slavery would implicate us all as consumers of slavery which is a very disturbing idea and not something that would sell. Similarly the image of a certain kind of Indian woman being exploited in remote central India is not disturbing for most of us. The violence is exoticised, it is presented as alien to urban masses, who feel secure in knowing this is not their reality.

Should stories on such issues be made – yes, however they need to made with sensitivity with accuracy and not for titillation.



This is a link to the article by Madhu Kishwar –

Thursday, 18 September 2014

Midnight at Salford Quays

Every now and again I need a break and walk around the quays. This week has been hectic in Manchester with the students all over the city. It was nice to have the city to myself in the middle of the night. The sounds and sights at Salford Quays were magical, nightingales singing, the swoosh of the tram which sounded a bit like the TARDIS, voices of people speaking softly in the night, little colour changing lights all over the new BBC area, glistening water all around us. This little patch of lavender looked so lovely the way the light shone on it I had to take a pic.  

Tuesday, 9 September 2014

Save me from the good doctor

Medical procedures are almost always justified on the basis of brining cures to a larger population for the greater good. To reject or question a procedure is seen as rejecting science and giving into superstition. I find the defence of science problematic as it positions certain kinds of knowledge as superstitious and it has created an environment where to critique science is taboo. I am sure the doctors who worked on curing Henrietta were doing this for her own good and to help future generations their goodwill is not to be questioned but their ethical standpoint should be. Non-dominant groups of people have a deep sense of suspicion towards the medical establishment which is justified their bodies are used for experimental purposes. Apart from that there is issue of being mistreated while seeking medical help. We seem to have an implicit understanding that medical procedures are invasive and violating of human dignity. 

Here is a documentary by Adam Curtis  on how Henrietta Lacks cancer cells were used without her permission for research 

Friday, 5 September 2014

Garden at midnight

Looking at my garden with two cats on a wall staring into the distance wonder if they are smelling the lavender or just waiting to catch mice.....